R. Twomey, “Three Stage Drawing Transfer”, SIGGRAPH 2022 Art Papers. Proceedings of the ACM on Computer Graphics and Interactive Techniques – Volume 5, Issue 4, September 2022. Article No.: 36, pp 1–7, https://doi.org/10.1145/3533614
R. Twomey, “Three Stage Drawing Transfer”, SIGGRAPH 2022 Art Gallery Catalog, Vancouver, BC
R. Twomey, “Domestic, Ubiquitous, Smart: Situated Computing in the Intimate Everyday”, article in Manege fur Architektur vol 2, (invited article)
R. Twomey, “Communion and Cohabitation”, from Welcome Our Neighbor: Creative Machines (ed. Eunsu Kang). Forthcoming 2022 (invited book chapter)
Sharkey, T.; Twomey, R.; Eguchi, A.; Sweet, M.; Wu, Y.; Need Finding for an Embodied Coding Platform: Educators’ Practices and Perspectives, Proceedings of the 14th International Conference on Computer Supported Education – Volume 1: CSEDU, 216-227, 2022
Twomey, R.; Sharkey, T.; Wood, T.; Eguchi, A.; Sweet, M.; Wu, Y.; “An Immersive Environment for Embodied Code”, CHI EA ’22: Extended Abstracts of the 2022 CHI Conference on Human Factors in Computing Systems, April 2022, Article No.: 197, Pages 1–4, https://doi.org/10.1145/3491101.3519896
Ong, J.; Twomey, R.; Kang, E.; Kangsan, J.; “Beyond Classification: The Machinic Sublime”, Proceedings of POM Berlin 2021, published by BCS Electronic Workshops in Computing. doi:10.14236/ewic/POM2021.50
R. Twomey, M. McCrea, “Rover: Machinic Exploration of Domestic Space”, C&C ’19: Proceedings of the 2019 ACM conference on Creativity and Cognition, June 2019, Pages 471–475, https://doi.org/10.1145/3325480.3329177
R. Twomey, “A Machine for Living In: Ubiquitous Sensing to Explore the Home as a Site of Intimate Life”, C&C ’19: Proceedings of the 2019 ACM conference on on Creativity and Cognition, June 2019, Pages 466–470 https://doi.org/10.1145/3325480.3329177
Typing Project. Alphabet. Repeat. 2004 100% pure, hand-crafted, artisanal digital bits
Term Paper Project. 2004. (an experiment in parallel human/computer authorship):
- “Productive disciplines in the work of Matthew Barney, Keith Tyson, and Natalie Jeremijenko: Internal, Algorithmic, and Scientific Systems.” 2004
- “Engineered art: the Barney’s Drawing Restraint, Tyson’s Artmachine, and Jermeijenko’s Suicide Box.” Dadaengine.
- “Productive Disciplines and Systems of Restraint in the Works of Matthew Barney, Keith Tyson, and Natalie Jeremijenko.” RobertEngine.
- 10,201 pages of Travesty text on Barney, Tyson, and Jeremijenko bonus (34Mb txt)