Writing

2022


2021

“Beyond Classification: The Machinic Sublime”, Proceedings of POM Berlin 2021, published by BCS Electronic Workshops in Computing.

Communion and Cohabitation”, from Welcome Our Neighbor: Creative Machines (ed. Eunsu Kang). Forthcoming 2021 (invited book chapter)


2019

“Rover: Machinic Explorations of Domestic Space,” C&C 19, Proceedings of the 2019 ACM Conference on Creativity and Cognition, New York, NY (article)

“A Machine for Living In: Ubiquitous Sensing to Explore the Home as a Site of Intimate Life,” C&C 19, Proceedings of the 2019 ACM Conference on Creativity and Cognition, New York, NY (article)


2018

“Machines for Living,” Ph.D. diss., University of Washington, Seattle, WA (dissertation)


2017


2013

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Drawing Machine, SIGGRAPH 2013 Art Gallery, Leonardo Journal, SIGGRAPH 2013, Anaheim, CA (article)


2009

eScholarship UC item 5n14251v

Not Me: Collaboration and Co-production with Language Processing Systems. Proceedings of the Digital Arts and Culture Conference, Irvine, CA, 2009


2008

uuencode random (writing project)


2007

twomey_thesiscatalog

Seven Segment Display, Masters Thesis, University of California, San Diego, La Jolla, CA, 2007 (Masters Thesis)


2005

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Rock Poem, 2005


2004

Typing Project. Alphabet. Repeat. 2004 100% pure, hand-crafted, artisanal digital bits

Term Paper Project. 2004. (an experiment in parallel human/computer authorship):

details on the process

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